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CULTURE

Why Black People Don’t Want to Romanticize 1830s With Taylor Swift

Ignoring racism is not the same as confronting it

Dr. Allison Wiltz
Momentum
Published in
6 min readApr 23, 2024

A woman in a hat and dress walking through a lavender field | Photo by Ольга Солодилова via Pexels

In her latest song, “I Hate It Here,” Taylor Swift portrays the 1830s as a picturesque scene of a simpler time. Her lyrics, dripping with nostalgia, recall a game where her friends would pick a time they’d rather live in. Taylor responds by saying, “The 1830s but without all the racists. And getting married off for the highest bid.” These words, however, reveal a perspective obscured by rose-tinted glasses, disregarding the grim reality of Black people and women during this era.

Behind the long, flowing, brightly-colored dresses of White women living in the South were the blood, sweat, and tears of slaves forced to harvest cotton. Even the sweet taste of their iced tea was tainted by enslaved labor used to harvest sugar. And the beauty and allure of their favored wedding venue — Plantations — were tainted by these homes doubling as forced-labor encampments. By romanticizing the past, Taylor Swift’s song risks whitewashing the experiences of Black people in this era, whose labor and contributions built this nation. Perhaps we should reflect upon what life was really like during the 1830s. Only then will it become clear why Black people cannot simply daydream away our nation’s nightmarish history.

The domestic slave trade defined American life during the 1830s, fueling the nation’s economy at the expense of enslaved Black people. During the 1830s, White enslavers imported 30,000 enslaved people into Louisiana during this decade, which historian Joshua D. Rothman noted was “nearly 80 percent more than they had in the 1820s.” Additionally, “cotton production in the state increased 63 percent between 1826 and 1834.” Sugar production skyrocketed by 150 percent. Slavery wasn’t just persisting during this period, it was accelerating.

The buying, selling, and trafficking of Black Americans reshaped the economic landscape of the United States, reducing people to commodities in a vastly-connected, unjust system. Thomas Dew, a pros-slavery law professor at the College of William & Mary, even suggested that Virginia was effectively a “negro-raising state for other states,” promoting the dehumanizing practice of forced breeding…

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Momentum
Momentum

Published in Momentum

Momentum is a blog that captures and reflects the moment we find ourselves in, one where rampant anti-Black racism is leading to violence, trauma, protest, reflection, sorrow, and more. Momentum doesn’t look away when the news cycle shifts.

Dr. Allison Wiltz
Dr. Allison Wiltz

Written by Dr. Allison Wiltz

Black womanist scholar with a PhD from New Orleans, LA with bylines in Oprah Daily, Momentum, ZORA, Cultured. #WEOC Founder

Responses (45)

Thank you for this enjoyable and thought-provoking article.



Although I have never listened to this song or any of the artist’s songs, I did read the lyrics, which shed light on a few things. From what I gathered, the artist is well aware of what…

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White women were not passive observers of chattel slavery; they were active participants, and their role has been largely overlooked.

Yes. Even post slavery, Whiteness was placed as a priority during the fight for women's rights. It is fun to rewrite history for them, but we aren't afforded the same luxuries.

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I was shocked she even wrote something like that much less put it on an album. I’d never want to go back to the 1830’s. For multiple reasons but then to minimize what happened in the 1800’s to black peoples , all of them, to them just dealing with a…

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